Studying golf’s roots

The World 100 Architectural Fellowship, sponsored by the World 100 Club, provided me with an extraordinary opportunity to study the ancient art of links golf in Scotland for a full month. This fellowship was not just a professional milestone but, as my surname is Scottish, a deeply personal journey into the heart of golf’s and my family’s heritage. As an up-and-coming golf course architect, this experience transformed my understanding of the game and its creative expression.

If someone is an aspiring golf course architect, they will sometimes hear there are five requirements:

• Work previously in golf course construction
• Become a member of the American Society of Golf Course Architects
• Secure a degree in landscape architecture from an accredited university
• Be an accomplished player or scratch golfer
• Visit Scotland and study links golf

Although I have gone more of the traditional route and achieved many of these “requirements,” I have always pushed back strongly against these five prerequisites to be considered a true golf course architect. I have never liked gatekeeping or creating barriers to entry into an industry, especially a creative and artistic craft like golf course architecture.

At least until I visited Scotland.

After experiencing Scottish culture and its unbreakable connection to the origins of golf, I am willing to write that all golf course architects must visit Scotland if they want to have a full understanding of their art.

Inherently, the cultures of artisans and sportsmen conflict. However, golf perfectly harmonizes art and sport because the game’s playing fields are undefined, thus the need for a golf architect. "Nothing is worse than mediocrity," an art dealer and member at Muirfield said to me, encapsulating the spirit of excellence that drives both art and golf courses. The art dealer was making a point of saying life is too short to “play it safe.”

When studying links golf, it is important to first define “links” golf. Although there are many opinions and definitions, for me it is quite simple: It must be on sandy soil and it must be near the sea. What is particularly great about sandy soils is that it is the best soil to create golf, yet is also the most affordable material to build in. I am not aware of any other design field where the best materials are also the most affordable.

The courses and their stories

Studying more than 50 links golf courses in Scotland was a completely consuming experience. Even though I ate and drank whatever I wanted in the evenings, I returned home a few pounds lighter because I walked 14 miles per day on average. Below is a description of a few of the courses that made a major impact on me as a designer.

Old Course: Often hailed as the “Home of Golf,” the Old Course has influenced every subsequent course design either in direct inspiration or in deliberate contrast. Its layout, which seems organic and unplanned, teaches that the land should dictate the design, not the other way around. The shared green complexes and short walks from green to tee make for a perfectly efficient golf course.

Muirfield: Known for its strategic design, Muirfield emphasizes the importance of thoughtful planning and the value of patience. The tradition of alternate shot play, and a swift pace of play make for a day of teamwork and competition. History oozes from this place. The clubhouse displays the original rules of golf and one of sport’s oldest trophies. Jack Nicklaus once said the best course in Scotland is the second 18 at Muirfield that has not been built yet. The land he was discussing would make any golf architect salivate. The club formed a committee to determine what the best use of this land would be. After five years and countless meetings, their decision was to do nothing. I believe this is the correct decision, as nothing more needs to be done when you already have it all.

Prestwick: Home to the first Open Championship, the “loop,” as the members call it, has dunes that sweep across the opening and closing holes making for some of the most interesting and unique golf holes ever conceived. Our host, who was a great player, made the comment about the Himalayas hole: “I still don’t know how to play this hole after 40 years.”

Cruden Bay: My personal favorite. With its dramatic scenery and challenging holes, Cruden Bay exemplifies the romanticism and beauty of true links golf. Its charm lies in its raw, natural landscape, offering a pure golfing experience that is both exhilarating and humbling. Cruden Bay is a nearly perfect golf course!

North Berwick: Often considered many architects’ favorite. Perhaps the most charming golf course in the world. The course plays a traditional in-and-out routing from a beautiful resort town. The closing stretch of holes is a crash course on amazing golf architecture.

Covesea: A course that was not on my list to visit, but I saw a sign between courses and decided to swing by. Covesea was the surprise of the trip. The term “hidden gem” is abused in the world of golf, but there is no better way to describe this place than just that. The owner and designer, Andy Burnett, lives on property in a single-wide trailer. He is golf’s version of the “wise surfer dude.” He gave me a tour of his wonderful 9-hole course and by the end of our walk, he was discussing Far Eastern philosophy with me. He is undoubtedly the most interesting person I have ever met.

The culture of golf in Scotland

Living in Scotland immersed me in a culture where golf is more than a sport — it's a way of life. Athoel Reid, who resides by the iconic Road Hole at St. Andrews, served as the ultimate tour guide, providing insights that only a local could. I learned that golf in Scotland is about camaraderie, respect for history and a deep connection to the land.

The future of golf course design

The lessons from Scotland will shape my approach to future projects. Sensationalism and hyper-realistic designs have become the in-vogue style in this age of limitless possibility of construction methods. Since my visit to Scotland, I have a growing appreciation for the simplicity and efficacy found in traditional links courses. The balance of creativity and restraint, the respect for natural landscapes and the integration of cultural elements are all critical to creating courses. Sensationalism in design might attract attention, but minimalism ensures longevity and harmony.

A century ago, Perry Maxwell shared this viewpoint when writing about his trip to Scotland in the American Golfer: “Don’t blame all of this on the architects; the guilt lies primarily with the influential misguided club members who take sadistic joy in torturing the good earth. As a result, the majority of American golf clubs are in the red, gore of the steam shovel, blood drawn by the mound-builders. We have learned nothing from Scotland or England where the ancient and honorable game can be enjoyed on marvelous links at one-tenth the admission fees, dues, green fees, etc., that prevail in the land of the free.”

The job of a golf course architect is 70 percent creative, 15 percent administrative and 15 percent managing egos — often including one’s own. This trip reinforced my belief that great design is about letting the land speak for itself. My favorite courses, like my favorite people, are true to themselves and don’t try to be something they are not.

The World 100 Architectural Fellowship was more than just an academic exercise; it was a journey into the soul of golf. From the timeless allure of the Old Course to the rugged beauty of Cruden Bay, each course taught me invaluable lessons about design, culture and the enduring appeal of the game. As I move forward in my career, these experiences will guide my efforts to create golf courses that honor tradition, embrace simplicity, and inspire future generations.

In the words of a Muirfield member, "Nothing is worse than mediocrity." This trip has instilled in me a commitment to excellence, a passion for authenticity and a deep respect for the art and sport of golf. With these lessons in mind, I look forward to contributing to the rich history of golf course architecture, one inspired design at a time.

Colton Craig is an Oklahoma-based golf course architect and principal design partner of Craig & Coyne. This is Craig’s first Turfheads Take Over contribution.